March 24, 2004

"A Film By" Gets a Deserved Overhaul

http://news.reuters.com/newsArticle.jhtml?type=filmNews&storyID=4641332§ion=news

Studios have approved the Directors Guild of America's plans to overhaul the use of "A Film By" credits for directors. It's about damn time. Few directors deserve to claim that a film is "by" them in any significant sense. These directors-for-hire, like Michael Bay or Brett Ratner, are not artists, but craftsmen brought in because they understand the technical aspects well enough to produce inoffensive big-budget films.

The idea of a film being "by" the director originated with the French idea of the auteur, or author. French critics looked at directors such as Alfred Hitchcock or Orson Welles, who had identifiable themes and techniques that infused their films. Most directors, however, are not auteurs. If they didn't write the film, or have a large role in the project's development, they didn't author it. Film is a collaborative medium. The film is "by" the director, the writer, the editor, the cinematographer, the actors, the producers—and when you're dealing with most blockbuster films, the producer is the real author. Whether you like him or not, Jerry Bruckheimer has more to do with a finished film project than does Michael Bay, his favorite director.

There's a short list of filmmakers who I think deserve to say a film is authored by them. Quentin Tarantino, Paul Thomas Anderson, David Mamet, Sofia Coppola, and others who write and direct their films deserve it. Directors who don't write but who have easily identifiable thematic elements that are found in all of their films count too, like Steven Spielberg, Martin Scorsese, Robert Altman, Spike Lee, David Fincher... I'm sure I'm missing others. The point is that a guy who used to direct music videos and is hired at the last minute to take over a film written by a committee of eighteen different writers does not deserve to say he is the author of the film.

Posted by mike, March 24, 2004 1:35 PM
Comments

I would like to see the credit used only for filmmakers that direct, write, photograph and produce the film. Robert Rodriguez deserves a "film by" credit for "Once Upon a Time in Mexico." As far as well known directors he's the only one I can think of that does all four of those jobs.

Another idea is if the credit went to the executive producer, director, cinematographer and writer. So, if you wrote and directed, had an executive producer and a cinematographer it would say, "A film by Dumbass, Idiot, Dipshit and Git" or something like that. If anyone deserves a "film by" credit alone it's not the director. It's the executive producer. They put the film together from beginning to end. It's an average three to four year process and they are the most influential person on the film. The director answers to them. The idea that the director is the most important person on the set has been shoved down our throat for years. It's just not true. During the production the director is responsible for the perfomances. It's the cinematographer who's responsible for the look of the film. So when you look at a film like "Minority Report" it's just as much Janusz Kaminski's film as it is Spielberg's. Shit, Speilberg wasn't even a producer on the thing. Not that anyone would tell The God of Hollywood what to do. It would be nice if they got rid of the credit, but I suppose that's hoping for too much.

Posted by: Shawn at March 24, 2004 2:09 PM

I don't really have a problem with the people I listed getting the credit. I think that these directors have a really strong idea of how they want the film to turn out, and they work with the crew to achieve it. I know Spielberg doesn't sit back and say "do whatever you want" to Kaminski. He storyboards everything before they start shooting. He knows what he wants it to look like already. I don't think it's a coincidence that you can watch a few minutes of any Kubrick film and know it's directed by Kubrick. I also can't see telling Robert Altman that his producers have more to do with the film than he does.

It's a mistake to say that in all cases the director is the author of the film, but it's equally mistaken to go too far the other way and imply that Spielberg or Altman or Anderson or Scorsese are just employees.

Posted by: mike at March 24, 2004 2:36 PM

When I'm a famous filmmaker, my opening credits are going to say "A Film By the Following:" and then list the usual opening credits: producers, writers, editors, etc.

Posted by: mike at March 24, 2004 2:38 PM

It will be interesting to see if any "gray" areas pop up with the new rules. I am not saying there will, but it could happen. You just never know what someone will throw a hissey fit over, like if someone without a name gets a "film by" credit because of technically and barely reaching the requirements, or someone who really deserves it doesn't quite make it. A lot of that is subjective. I guess if there is a question they can always assume it wasn't "by" them.

Posted by: shane at March 24, 2004 2:55 PM

I watched "City Lights" last night, a "film by" Charlie Chaplin. He produced it, directed it, and starred in it. He also paid for its production and wrote the music. I'd have to say that is a perfect example of a proper "film by," eh? :-)

Good flik. I highly recommend it. It is now my favorite silent film, though I must admit I have only seen about a half dozen or so.

Posted by: shane at March 25, 2004 8:32 AM